A high-rise at the Arabella, held by floor-to-ceiling glass on two walls and a corner that turns onto downtown. The shell stays as built. The design works in Italian luxury modernism: few pieces, generous space.
Natural bouclé on the Cinnamon chairs, a rust terracotta rug, brass and Carrara held against a gold onyx. The quiet half of the room.
An empty corner on the skyline. Two Cinnamon armchairs splayed to the view, a Louisa cluster drawn close.
The cool grey shell, warmed. A veined marble base under solid oak, saddle leather and brass at the island, a woven rug to ground the table.
The same room in daylight, kitchen and dining held in one wide frame.
The pieces in and styled. The Cinnamon chairs to the glass, the Platium table beneath the Bolle pendant.